Providing Creative Direction.

Install Theme

spicyhorror:

1910 and 1915 French anti absinthe posters

(via opheliasessions)

(via rajdiabla)

Responses

dustseeker:

No one can see us, and even
if they could, who cares, we’re
not much to look at anyway,

she laughs into my ear, and I
hear the exact opposite thing
while sensing her left hand

wander with restless ease
from my chest to my belly,
Well, I’m all you’ve got now,

I whisper into her hair as her
hand reaches the limits of the
limited clothing that separates

my nakedness from hers, but
her hand has lost its respect
for boundaries at this point,

and I praise her disrespect
with a sudden sigh that is too
honest to be misinterpreted,

Wrong, she corrects me, I’ve
got more than you, we both do,
we’ve got us, we’ve got this,

and I reply by rolling over to get
on top of her, bowing my neck
to let my lips seek her curves,

slightly elevating my body in order
to fall upon and crush the absence
between her thighs, now spread like

warm and welcoming wings, to give
buoyancy to the lush machinery of
bodily responses we are creating.

(via thesensualstarfish)

She was the golden thread running through everything, a lens that magnified beauty so that the whole world stood transfigured in relation to her, and her alone.

— Donna Tartt, The Goldfinch (via fleurstains)

(via rajdiabla)

nevver:

All the young punks, Anton Corbijn

(via lushlight)

kvetchlandia:

Frank Horvat     Paris, Fifth Arrondissement      1955

(via lushlight)

The trouble is, you think you have time.

tallulahdreaming:

Photo by Ellen von Unwerth.

(via lushlight)

vintagegal:

Audrey Hepburn photographed by Richard Avedon on the set of Funny Face (1957)

(via thesensualstarfish)